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Life is a Kick Trial: 1988​-​93

by Falling Stairs

supported by
Chris Staros (tcbstaros)
Chris Staros (tcbstaros) thumbnail
Chris Staros (tcbstaros) Nice job guys! Thoroughly enjoying the trip down memory lane. Great songs, great production, and it all still feels fresh and relevant. TCB⚡️ … And I hadn’t thought about King Tut’s Wah-Wah Hut in forever. Loved that place.
jnsallison
jnsallison thumbnail
jnsallison Super catchy tunes played with great energy. This should’ve / could’ve been one of my favorite albums over the past 30 years! Well, it is now.
/
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    Falling Stairs was three Johns and a guy named Charlie from Queens and Long Island in the late 80s and early 90s who were obsessed by independent music coming from Minneapolis, Hoboken, Athens, Boston, Melbourne, Washington, D.C., Austin, Sydney, Detroit, Amherst, Seattle, and our hometown of New York. It inspired us to pick up guitars, a bass, and drums and make our own kind of noise.

    We played bars and clubs all around New York and surrounding states for several years, recorded an EP, recorded a couple of singles, then promptly imploded.

    The masters ended up in boxes and moved around with us for thirty years. Decades, and many children, later we gathered up 2” and 1” tapes and even a VHS, had them baked, remastered, and digitized. Upon hearing the songs for the first time in decades, we realized maybe this quad of misfits quit too soon.

    We were fans of Antietam, Belly, Big Black, Big Dipper, The Birthday Party, Black Uhuru, The Blasters, Buffalo Tom, The Celibate Rifles, The Clash, De La Soul, The dBs, Echo and the Bunnymen, The Feelies, The Fleshtones, Fugazi, Gang of Four, Go-Betweens, Jason & The Scorchers, Hoodoo Gurus, Hüsker Dü, Let’s Active, Lime Spiders, MC5, Meat Puppets, Mental as Anything, Metallica, Mission of Burma, The Minutemen, Naked Raygun, New Order, New York Dolls, Patti Smith Group, Pixies, Prince, Psychedelic Furs, Public Enemy, Pylon, Radio Birdman, The Ramones, The Replacements, R.E.M., Romeo Void, The Saints, Sonic Youth, Soul Asylum, The Stooges, Talking Heads, Television, They Might Be Giants, U2, Uncle Tupelo, Violent Femmes, Wall of Voodoo, X, Zeitgeist, and lots of others. You can hear a bit of all that in there. We all grew up with older siblings, too, so we had been hearing everything from rock to blues to metal to folk to disco.

    We played live at Brownie’s, CBGB’s, Downtown Beirut, The El-n-Gee, King Tut’s Wah-Wah Hut, Lauterbach’s, Lismar Lounge, Maxwell’s, Nightingale’s, The Pool Bar, The Pyramid, The Right Track Inn, The Space at Chase, Tramps, and others we have forgotten. We did a few short tours in the south, sent out our EP to radio stations and got lots of plays. We sent more to fanzines and newspapers and got a bunch of nice reviews. It was a lot of fun and we wouldn’t change it for the world.

    In truth, very few people actually heard any of it.

    There may not be a big reunion tour, but all these many years later, this collection of songs a time capsule of an earlier era of American rock: angry, anthematic, hooky, poppy, noisy, and insistent. These well-constructed, well-performed, and well-recorded songs have stood the test of time, even if that was in a bunch of cardboard
    boxes.

    So, 30 years later, we present the debut album.

    Includes unlimited streaming of Life is a Kick Trial: 1988-93 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 90 days

      $20 USD or more 

     

1.
The Rug 04:22
Hey, I can’t tell you I don’t feel the way I say. It’s kind of hard to be concise when I’m trying to be unclear under the rug. Hold up signs for recognition, these words go a long way. Wishes she could stay inside but she’s got better places to be. And she will walk through the desert, walk through the years. She can climb over mountains and fall through the years. When she finds something to hope for, she kneels to pray to him. And she finally sweeps it up under the rug. She fights off being lonely, she just wants to feel alone. No crowd to come and sweep her off, she stands the floor and soars. This home does not seem steady, these rooms so spread apart. “Imagine how much you’d get for selling off a piece of your heart?” And she will run through the desert, run through the fears. And she can climb over problems and stumble through the years. And we come to a decision and she makes it seem so clear. And she finally sweeps it up under the rug. The rug is getting bigger, the sweeping can’t get done. There’s too many thousands of her to wish they all were gone. Closer and not nearer, the plans all went astray. Could we use the time we lost to just imagine it all away? And she will run through the desert, run through the tears. And she can climb over mountains that she’s walked around for years. And she comes to a decision she makes it seem so clear. And she finally sweeps it up under the rug. And I come to my decision. I make it seem so real and we finally sweep it up under the rug.
2.
Gone 04:16
I no longer have the power or desire to fill your head with dreams or the fire. But that’s not the way, and I was the only one who should see me. And now you’re gone and it’s all because of me. You believe in a will and a way and that will get you every time. I kind of thought like that once but it only lasted for a little while. Not too long ago when my life had some meaning I played around with your head Took it for granted, and now what’s left? And it’s gonna be hard, which is more than I can say. Will it matter, will it matter anyway?I see it’s come quite clear and it’s gone. Life is a kick trial and it kicks straight through your head and if it lays you out it will leave you there for dead. But that’s not the way, and I was the only one who should see me. And now you’re gone and it’s all because of me. And it’s gonna be hard, which is more than I can say. Will it matter, will it matter anyway? I see it’s come quite clear and it’s gone.
3.
The Joke 03:01
Once a chance to call myself. Since it’s coming around again. Never like it’s been before. He’s screaming out the door. Good today, going on my merry way. In another day and age. Hand to hand across my face. If another seems too sure. He’s screaming out the door. Good today, going on my merry way. Whose to say? Born to live here, born to trip here. Shaking, waiting, knotting, faking, shouting, making, doubting, and quaking. Myths and letters, too far to speak. Spring summer winter, counting by weeks. If another falls that fall. They’re screaming, “what a whore.” Good to change, gonna build my merry way. Who decides? Born to live here, born to shit here. Shaking, mating, returning, deserving. I see your fears. Don’t want none of that here. Get a chance to get again. Speaking up like a friend. If another seems too sure. He’s screaming out the door. Good today, going on my merry way. Who besides? Going to build my land alive. Shaking, waning, serving, learning, aching, joking, calmly, I’m knowing.
4.
Daylight 03:39
Oh, just pardon those cliches but they say everything I mean. After all it’s only love and death and pain and sympathy. It’d be nice just to believe unlimited possibilities. But there is truth and there is fact to shake down perfect theories Daylight, outside. Revolution’s just a word. I’m not listening. So we’ll all grow up to say, “Hey, those days were the best days.” “I can’t see them too well now, but I remember them, somehow.” Fill the windows with a view, something we’ll all appreciate. Or is there something else to do to waste my time away? Daylight, outside. Dedication’s just a word and I’m not bothering. Daylight, on time. Absolution’s just a word, but I’m guessing here. Hold it up to the light. You see right through it, am I right? Should we take the time to look or is it pointless now? And we’re living fist to mouth, but we won’t lose our sleep at night. Ain’t it strange how it’s evolved into something quite extreme? Daylight, outside. Education’s just a word. I’m not listening. Daylight, on time. Persecution’s just a word and we’re all following. I am safe and I am warm, far from the edge of the storm. And I’m reading all about it, are you glad to be. One step up and one step out and these scales get too weighed down. Is this secret something you’ve found? Daylight, outside. Revolution’s just a word. I’m not listening. Daylight, on time. Anticipation’s just a word and it’s everything. Daylight, on our. Execution’s just a word until you’re standing there.
5.
Fortune Days 05:13
Easy to slide, what’s the name? You can lie, but you don’t remain in here You won’t find a ranger Parting your seas, here you go It’s the season, well, don’t you know, won’t buy, sell Listen for a while and he sees it’s his fortune days (As he goes) only he can judge his ways Listen for a while and he seems like he got his way (As he goes) only he can judge his ways Here by a bench, here’s a tree Walk and wallow and learn the lesson well Don’t exchange now Up on the top, far below, there’s a law and it’s walking through him. It says, don’t want to see Listen for a while and he sees it’s his fortune days (As he goes) Only he can run away Listen for a while and he leaves for his fortune days (As he goes) Only he can run away Out on a limb for a ghost You can walk, but you won’t walk here Blue skies have been gone for so long Easy to fly, to forget broken humbles and strategic wish I don’t want to see Listen for a while and he see’s it’s his fortune days (As he goes) only he can run way Listen for a while and he see’s it’s his fortune days. (As he goes) only he can have his way
6.
Man-Made 02:38
And I listen to your story, complaints and free advice And below her is all sorrys, tell me of your awful life Thinking of something, thinking of you. Thinking of something, man-made Look for comfort in a vision, talk about someone else And she’s waiting for her children to grow up to be Thinking of someone, think of him Thinking of someone, man-made Thinking of somewhere, think of here Thinking of somewhere, man-made Write down left, write down cry All she claims is a great divide And there she goes, and there she goes again Something else just might arrive Taking notice of everything, dry mouth to disavow Purpose going on the floor here Let me see, let her know And I listen to your story. Complaints and free advice And below her is all sorrys, tell me of your tragic life Thinking of something, thinking of you Thinking of something, man-made Thinking of somewhere, think of you Thinking of someway, man-made
7.
He’s thinking something, words to fill. Landing one moment in a while. Once she committed, sad but true. Free for one moment in time. Freed for one moment in time. Reasons to say my prayers. In the middle it’s all he asked. I’ll see if it matters, if anybody cares. Got lots of time to spend, but no time to share. Warnings in color, overheard bad news. “Could you be down when I’m down?” He’s thinking victories and he’d kill for a view. “Could you be happy for a while? Could you be happy for a while?” Teacher, I’ve made my plans. On the outset, it’s all he gets. Making up excuses and trying time to hide. You’ve only got to make it so the words seem high. Reasons to say my prayers. You’re forgetting you’ve got it in your hands. You’re hauling off the answers, I’m calling to stay mad. But you’ve only got to give it the slightest chance. Understand? Understand? Understand? Understand?
8.
This Is 03:01
No watch, no wait, no sympathy. Call collect, antipathy. Remember when you wish you were gone? Passion lows, leather rings. Surround select, covering. What’s the role to be what you want? This is something to be worded of. This is something to be learned when you’re old. Secrets kept bothering, surround, select, party fears. But at the end it seems to be shown. Person, route, and following. Abort, neglect, chicken wings. It’s only fun until the knee is shown. And he’s sorry for the things he hasn’t done. He hopes it will return when he’s gone. Stairs above it, follow in the footsteps of a man about to recall. Stairs above it, stop to one further eye. He calls and is unsure, calls and is unsure. Roaches, chains, sensitive. Probably relative. What is it like to pardon the soul? Elect, negate, and represent. Service, statues, gummy bears. What is the number we all still want? This is something not to be worded of. This is something to be learned when you’re old. This is something not to be worded of. This is something to be learned when you’re old.
9.
Mad 04:20
Easy to confess, this confusion is real. It’s easier to try, will you listen? Start to regress and losing the feel. For first impressions and the climb. In a minute you’ll be lonely. In a minute you’ll be glad. In a minute you’ll be totally mad. Try to escape, lost in control. “Well, next week, that could be much better.” Waiting for something that time says could come due. “You just put things in perspective.” In a minute I’ll be lonely. In a minute I’ll be glad. In a minute I’ll be totally mad. When you’re mad, mad, mad... When you’re mad, mad, mad... When you’re mad, mad, mad... When you’re mad... Spill from your ears, good gauge for the rest. And finding yourself in your own arms. Am I asking too much? Am I asking for your own? I didn’t mean to take it from your mouth. In a minute you’ll be sulking. In a minute you’ll be scared. In a minute you’ll be noble. In a minute I’ll be trashed. In a minute you’ll be lonely. In a minute you’ll be glad. In a minute you’ll be totally mad. When you’re mad, mad, mad... When you’re mad, mad, mad... When you’re mad, mad, mad... When you’re mad...
10.
They say, “What do you want?” And we say, “What do you mean?” Looking for a problem for us to keep. It’s not what you prepare. The same or less than you dare. Crossing off accomplishments and feats. Losing all the choices you could keep. Wake up in a scream, they say its just bad dreams. Good intentions lead to bad things. They try hard to be fair. Keep that voice in the air. Building up the character for better days. It won’t work in the end. So don’t you let them begin. Giving in before you have to leave. Giving in to what you don’t believe. Wake up in a scream, they say its just bad dreams. Good intentions lead to bad things. And they mean well, they say. Each time it ends the wrong way. Looking for a solid floor beneath. The last thing is to talk. It won’t end without fault. When neither gives, then we’ll all resist. Though it’s only half of what we can give. Wake up in a scream, they say it's just bad dreams. Good intentions lead to bad things. And if it’s good enough for all of us, then it’s good enough to be. Then it’s good enough for all, good enough for all. If it’s good enough for all of us, then it’s good enough to be. Then it’s good enough for all, then it’s got to be.
11.
A Happy Man 03:55
He takes these rigid rules, he bends them ‘til they break. Instead of living under a certain future to be faced. She says, “Dreams are like anchors, to keep life off the ground. But that’s just asking for more than luck would allow.” And her dreams take her back to a place where she belongs and if it’s too far away could she push herself to go further on, further on? He scans horizons for hope of an escape. Well, there’s nowhere I’d rather be than somewhere I must see. Got pushed into a paradise, a world where no one lives. He hears the weather is fine, but everyone just sits. And his dreams take him back to the place where he belongs and if he’s too far away could he push himself to go further on, further on? On his way. There’s no one to deliver, there’s plenty to receive. But no one could devour all the sadness they conceal. But he found a way to make reality untrue. By turning all the harsh into something twice removed. And his dreams take me back to a place and if he’s too far away could he push himself to go further on, further on? And these dreams take you back to a place and if you’re too far away can you push yourself to go further on, further on?
12.
Pills 01:40

about

Falling Stairs was three Johns and a guy named Charlie from Queens and Long Island in the late 80s and early 90s who were obsessed by independent music coming from Minneapolis, Hoboken, Athens, Boston, Melbourne, Washington, D.C., Austin, Sydney, Detroit, Amherst, Seattle, and our hometown of New York. It inspired us to pick up guitars, a bass, and drums and make our own kind of noise.

We played bars and clubs all around New York and surrounding states for several years, recorded an EP, recorded a couple of singles, then promptly imploded.

The masters ended up in boxes and moved around with us for thirty years. Decades, and many children, later we gathered up 2” and 1” tapes and even a VHS, had them baked, remastered, and digitized. Upon hearing the songs for the first time in decades, we realized maybe this quad of misfits quit too soon.

We were fans of Antietam, Belly, Big Black, Big Dipper, The Birthday Party, Black Uhuru, The Blasters, Buffalo Tom, The Celibate Rifles, The Clash, De La Soul, The dBs, Echo and the Bunnymen, The Feelies, The Fleshtones, Fugazi, Gang of Four, Go-Betweens, Jason & The Scorchers, Hoodoo Gurus, Hüsker Dü, Let’s Active, Lime Spiders, MC5, Meat Puppets, Mental as Anything, Metallica, Mission of Burma, The Minutemen, Naked Raygun, New Order, New York Dolls, Patti Smith Group, Pixies, Prince, Psychedelic Furs, Public Enemy, Pylon, Radio Birdman, The Ramones, The Replacements, R.E.M., Romeo Void, The Saints, Sonic Youth, Soul Asylum, The Stooges, Talking Heads, Television, They Might Be Giants, U2, Uncle Tupelo, Violent Femmes, Wall of Voodoo, X, Zeitgeist, and lots of others. You can hear a bit of all that in there. We all grew up with older siblings, too, so we had been hearing everything from rock to blues to metal to folk to disco.

We played live at Brownie’s, CBGB’s, Downtown Beirut, The El-n-Gee, King Tut’s Wah-Wah Hut, Lauterbach’s, Lismar Lounge, Maxwell’s, Nightingale’s, The Pool Bar, The Pyramid, The Right Track Inn, The Space at Chase, Tramps, and others we have forgotten. We did a few short tours in the south, sent out our EP to radio stations and got lots of plays. We sent more to fanzines and newspapers and got a bunch of nice reviews. It was a lot of fun and we wouldn’t change it for the world.

In truth, very few people actually heard any of it.

There may not be a big reunion tour, but all these many years later, this collection of songs a time capsule of an earlier era of American rock: angry, anthematic, hooky, poppy, noisy, and insistent. These well-constructed, well-performed, and well-recorded songs have stood the test of time, even if that was in a bunch of cardboard boxes.

"The list of Falling Stairs' influences could fill a page. Their self-pressed EP goes from 60s acoustic sound to some serious rave ups. And it covers a lot of bases in between. Someone could mistake it for a complilation, the way it jumps from style to style."

—Eric Flaum, The Bob, 1989

"I've played Falling Stairs' "That and a Quarter" EP continuously for days without realizing it. Have hummed the songs mindlessly in my head, paused to figure out who's tune it is, and be surprised it's Falling Stairs. This is infectious, raucous pop and I haven't been this excited over an EP in a long time."

—Jetlag, St. Louis, MO, 1987

"Six real fine originals and a raucous cover of "Pills" offer up a wide variety of sounds. There's a good deal of full-guitar, hard-pop rocking, an occasional flex of muscle, and a pleasant glimpse of acoustic lyricism."

—The Bob, Wilmington, DE, 1988

credits

released April 21, 2023

Produced by Rich Grula at Water Music in Hoboken, NJ and Calliope Studios in NYC in 1988 and 1991: 1, 4, 5, 7, 8, 9, 11, 12

Produced by Tim O’Heir at Fort Apache in Cambridge, MA in 1992-1993: 1, 2, 3,

Remastered and digitzed by Mark Donohue at Sound Mirror, Jamaica Plain, MA

© All songs by Falling Stairs except “Pills” by Ellas McDaniel, by way of The New York Dolls

Charles McEnerney: guitar and vocals
John McGrath: bass and vocals
John McLoughlin: drums
John Rice: lead guitar and vocals on 4, 5, 7, 8, 9, 11, 12
Marc Silvert: lead guitar on 6, 10

Rich Grula: background vocals on 3, 4, 5

Cover photography by John McGrath

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about

Falling Stairs Queens, New York

Falling Stairs was three Johns and a Charlie from Queens and Long Island in the late 80s/early 90s.

We played all around New York, recorded an EP, a single, then promptly imploded.

The masters ended up in boxes for thirty years. Decades, and many children, later we had them baked, remastered, and digitized.

Upon hearing the songs, we realized maybe this quad of misfits quit too soon.
... more

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